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Everybody wants to win. He wants the world. MARTY SUPREME, a Josh Safdie film starring Timothée Chalamet. In theaters this Christmas.

♬ original sound - A24

Heartbeats in Motion: Chalamet at His Most Electric

Just like Groove Is in the Heart by Dee-Lite turns rhythm into pure joy, Timothée Chalamet’s performance in Marty Supreme pulses with that same ecstatic energy — a sense that the real story isn’t just told, it’s felt in the body. His portrayal moves with the confidence of a dancer hitting the perfect beat, each scene radiating the kind of electric charisma that made Deee‑Lite’s anthem a cultural spark. Where the song transformed the dancefloor into a place of liberation, Chalamet transforms the screen into a space of emotional velocity, delivering a performance so vibrant and self‑assured it feels like cinema discovering its own groove again.

🎶 🗽💼🎬 🏓✨ 🎹🧃🇺🇸 🤸‍♂️🚂 🪄🎥⚡ 🎯 🔊 Groove Is in the Heart - Dee-Lite

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Timothée Chalamet gives an Oscar‑worthy performance in Marty Supreme, delivering a turn so electric and fully inhabited that it instantly joins the canon of great cinematic anti‑heroes.

Safdie’s film builds a world of hustlers, schemes, and high‑stakes ambition — and Chalamet commands every frame with a confidence that makes the chaos impossible to look away from.

🎭 The Anti‑Hero You Can’t Help Rooting For

Cinema has a long history of giving audiences characters they should despise but somehow end up cheering for — Daniel Plainview in There Will Be Blood, Alex DeLarge in A Clockwork Orange, figures whose cruelty and moral rot are overshadowed by the sheer force of their characterization. Timothée Chalamet’s Marty Mauser belongs to this lineage, though he’s far less monstrous than those iconic villains. What makes Mauser compelling is the way Chalamet channels his schemes, hustles, and questionable choices into something strangely uplifting. Safdie’s direction infuses the character with such kinetic optimism that even when Mauser is lying, cheating, or manipulating, you find yourself wanting him to succeed. He’s not admirable, but he’s irresistible — a magnetic anti‑hero powered by Chalamet’s most confident screen presence to date.

🗽 A 1952 Hustler With Unshakable Swagger

Set in 1952 New York City, Marty Supreme introduces Mauser as a shoe salesman who could charm money out of a corpse and upsell the coffin for good measure. He’s fast‑talking, sharp‑thinking, and spiritually aligned with Adam Sandler’s Howard Ratner from Uncut Gems, though with one crucial difference: Mauser believes he’s destined to win. Ratner is a compulsive loser clawing at the walls of his own downfall, but Mauser radiates a delusional, infectious confidence that makes you believe in him too. His debts pile up, his schemes get riskier, and his moral compass spins wildly, yet he moves through the world with the swagger of someone convinced the universe is on his side. And unlike most hustlers, he has a real, rare gift — he’s a table tennis prodigy with the reflexes, precision, and showmanship of a natural-born champion.

🏓 Table Tennis as Spectacle, Cinema as Velocity

While table tennis is often dismissed as a basement pastime, Marty Supreme elevates it into a high‑stakes global sport. Mauser sees it as his ticket to fame and fortune, and Safdie shoots the matches with a craftsman’s eye and a gambler’s pulse. The sequences are spectacular — fast, tense, and visually inventive — with Chalamet performing at a level that makes him look like a genuine master of the game. Years of training pay off in every flick, slice, and spin, and if any visual effects were used, they’re invisible. The film isn’t strictly “about” table tennis, but the sport becomes the engine of Mauser’s rise and fall, a stage where his talent, ego, and desperation collide. Safdie’s synth‑heavy, ’80s‑inflected soundtrack — deliberately anachronistic for a 1950s setting — reinforces Mauser as a man vibrating ahead of his time, a hustler whose rhythm doesn’t match the era he’s trapped in.

🎬 A Wild Journey Through Fame, Failure, and Reinvention

Safdie and co‑writer Ronald Bronstein build Mauser’s world with brilliant economy, drawing loose inspiration from real table tennis icon Marty Reisman. Within minutes, we see Mauser’s womanizing, hustling, and scheming in full force — including a hilariously surreal credit sequence that turns his affair with a married neighbor (a fiery Odessa A’Zion) into a microscopic odyssey of sperm racing toward an egg that morphs into a ping‑pong ball. From there, the film propels Mauser to the British Open, where he cons his way into luxury accommodations, hustles a wealthy businessman and his washed‑up actress wife (a revitalized Gwyneth Paltrow), and dominates the competition until he meets his match in Japanese phenom Endo. Mauser’s crushing defeat sets off a cascade of misfortunes so wild they’re best left unspoiled — but through every setback, Chalamet keeps you believing Mauser will claw his way back to the top.

🏆 A Career‑Defining Performance Worth the Big Screen

Chalamet’s work in Marty Supreme is nothing short of extraordinary — a performance that rivals his turn as Bob Dylan in A Complete Unknown and may well surpass it. He embodies every contradiction in Marty Mauser: the charm and the sleaze, the ego and the insecurity, the dreamer and the manipulator, the thrill and the nausea. It’s one of the most complete character transformations of the past 25 years, the kind of acting that makes it impossible to imagine anyone else in the role. Whether the film will appeal to everyone is uncertain, but for those open to its chaotic energy, it’s one of 2025’s standout achievements. Seen in 70mm with a razor‑sharp DATASAT sound mix, the movie becomes a visceral experience — the thwack of the paddle, the roar of the crowd, the pulse of the synths, and Chalamet’s performance vibrating off the screen. Streaming will never match it; Marty Supreme is a film built for the big screen, and Chalamet’s work demands to be seen at full scale.

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