@pathefilms Personne ne doit être au courant de sa présence ici 🤫 @labande_a_fifi est de retour avec #MarsupilamiLeFilm, la nouvelle comédie de #PhilippeLacheau, au cinéma le 4 février ! Avec Philippe Lacheau, @jameldebbouze, @tarekboudali, #ÉlodieFontan, #JulienArruti, @albanivanov.off, @reemkherici, #CorentinGuillot et #JeanReno. . . . D'après les aventures du Marsupilami créées par André Franquin. Produit par Pathé et Baf Prod. #onregardequoi #filmtok ♬ son original - Pathé Films

The Playful Palombian Cantata: Henri Seroka’s Marsupilami theme

Henri Seroka’s Marsupilami theme is a bright, orchestral burst of joy: playful brass, light percussion, and a melody that bounces with the same elastic energy as the creature itself. The song feels both adventurous and innocent, carrying that unmistakable 80s–90s cartoon warmth — a musical smile that instantly evokes jungle canopies, comic‑book mischief, and the tender imagination Franquin poured into his universe. It’s short, catchy, and built like a little fanfare of wonder, the kind of tune that makes the Marsupilami feel alive before it even appears on screen.

🎶 🚢🏝️💛🐾⛵🎬 🐱 🌿🦜🍍💦✨ 🔊 Marsupilami - Henri Seroka, Franquin

---

---

“What matters most in comics is kindness. If a drawing can make someone smile, then it has already done something good.”

André Franquin, born in 1924, would have turned one hundred in 2024. As the artist behind Spirou et Fantasio, the creator of the iconic Gaston Lagaffe, and the imaginative force who gave life to the Marsupilami, he remains one of the brightest figures in Franco‑Belgian comics. His work rested on a simple idea he often expressed: laughter is a form of tenderness. In his hands, humor was never cynical but deeply human, always reaching toward joy. The Marsupilami, introduced in 1952, embodies that philosophy perfectly — a mischievous, sun‑bright, elastic creature designed to remind readers that imagination can be both a refuge and a celebration. It is within this lineage that the new film adaptation takes shape, bringing back to the screen the energy, fantasy, and generosity that Franquin infused into his universe.

🌿 Franquin’s Legacy: The Creature Born From Joy

André Franquin imagined the Marsupilami as a burst of pure vitality, a creature created “pour donner de la joie, rien d’autre.” That spirit of playful energy still guides every new adaptation of his work. More than seventy years after its first appearance in Spirou et Fantasio, the yellow‑and‑black marvel continues to leap across generations, carrying with it Franquin’s belief that humor and imagination can soften the world. The 2026 film embraces that heritage fully, treating the Marsupilami not as a nostalgic relic but as a living symbol of wonder.

🍿 A Record-Breaking Launch for a French Comedy

The new Marsupilami exploded into French cinemas with 308,329 admissions on its first day, combining 119,250 tickets sold on opening Wednesday with an impressive 189,079 from early previews. This makes it the best French film launch since Un p’tit truc en plus and even stronger than Alain Chabat’s 2012 adaptation. Philippe Lacheau’s version surpasses all his previous openings, including Alibi.com 2, which had already set a high bar. The numbers confirm a simple truth: audiences were ready for a joyful, family‑friendly adventure.

🐾 A New Adventure With Familiar Faces

This new chapter follows a zoo employee, played by Philippe Lacheau, tasked with escorting a baby Marsupilami aboard a cruise ship — a premise that blends slapstick, tenderness, and the creature’s legendary elasticity. The film reunites Lacheau’s core troupe (Élodie Fontan, Tarek Boudali, Julien Arruti, Reem Kherici) while introducing a major guest: Jamel Debbouze, who reprises his beloved role as Pablito Camaron, the Palombian guide and protector of the mythical animal. His return creates a bridge between Chabat’s 2012 film and this new interpretation, offering fans a familiar anchor in a fresh story.

🎬 Outperforming the Competition

The film doesn’t just shine — it dominates. Marsupilami now holds the biggest first day of 2026, overtaking Yann Gozlan’s thriller Gourou, which had amassed 122,000 admissions including previews. The contrast is striking: while Gourou delivered a strong, suspense‑driven launch, Lacheau’s comedy soared even higher, proving once again that family films and broad humor can mobilize massive audiences. The momentum suggests a long theatrical life ahead, echoing the trajectory of Alibi.com 2 and other crowd‑pleasers from the Bande à Fifi.

🎉 Lacheau + Debbouze: A Duo That Sparks Joy

Behind the camera, Philippe Lacheau describes the shoot as “une fête foraine extraordinaire,” and that energy radiates through the film. His collaboration with Jamel Debbouze — a first — brings together two of France’s most beloved comedic universes. Debbouze’s warmth and improvisational flair blend seamlessly with Lacheau’s precise, high‑tempo direction. The result is a film that feels both mischievous and generous, honoring Franquin’s joyful spirit while offering a modern, fast‑paced family spectacle.

#Franquin100 🎨 #MarsupilamiMagic 🐾 #BDHeritage 📚 #FrenchCinema 🎬 #FamilyAdventure 🌟