@francetvculture Des fées, des meufs, des voix libres et des corps qui racontent autrement. 🧚‍♀️💫 @marguerite invite les artistes qu’elle admire pour une carte blanche inclusive, joyeuse et profondément humaine à l’@Hyper Weekend Festival de Radio France. Une soirée poétique et engagée à retrouver sur @France.tv. #onregardequoi #marguerite #lafee ♬ son original - france.tv culture

🌙 The Last Light of the Fairy

Marguerite’s La fée traces the journey from a childhood spent obeying, smiling, and shrinking herself into the perfect little “fairy” others expected, to an adolescence where the body grows, the rules tighten, and the desire to disobey becomes a form of survival, until finally emerging into a woman who abandons the costume, keeps only the inner glow, and learns that real magic isn’t in being polite, pretty, or perfect, but in choosing herself, embracing her strangeness, and letting her own light shine on her own terms.

🎶 👑 ✨ 🌱 💥 💄 🌙 🌀 🎸 🔥 🌈 💼 🌟 🔊 la fée - marguerite

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“Faut qu’on s’aime, qu’on s’élève, qu’on se dise qu’on est assez.” — Angèle

Angèle’s words echo like a rallying cry for a generation refusing to shrink itself, and they set the perfect tone for Marguerite’s return: a comeback charged with self‑affirmation, feminine fire, and unapologetic power. La Boss doesn’t just join the lineage of pop anthems that tell women to take up space — it sharpens it, electrifies it, and turns it into a stance. Marguerite arrives with a new kind of assurance, one that doesn’t ask permission, one that claims the room, one that says: being “the boss” isn’t about domination, it’s about owning your voice, your contradictions, your chaos, and your freedom.

🎤 A Sharper, Bolder Return

Marguerite returns with new confidence and a sharpened sense of direction. With La Boss, the singer who first broke through with Les filles, les meufs delivers a comeback that is more frontal, more electric, almost incandescent. Driven by a rock‑and‑electro production, the track marks a clear evolution in her musical universe, as if she had decided to open a new era — more assertive, more cutting, more free.

⚡ A Feminist Mantra of Self‑Power

In this new single, Marguerite celebrates self‑affirmation and feminine empowerment, a theme she approaches with contagious energy. “You’re the boss of your own game… Do whatever you want,” she repeats like a mantra for anyone trying to reclaim control, especially in a work world still shaped by power imbalances. The song becomes an anthem of personal power, a call to take up space without apologizing.

💼 A Playful, Irreverent Visual Rebellion

The music video extends this intention with humor and irreverence. Marguerite plays a determined working girl who deliberately wreaks havoc in her management team’s open space. She flips roles, disrupts norms, and mocks rigid hierarchies. On Instagram, she shared that the shoot was “hilarious, damn,” as if this liberating performance was as joyful to film as it was to imagine.

🎸 A Rougher, More Cathartic Sound

Musically, La Boss embraces a rougher, more nervous aesthetic where guitars and electronic textures collide. This direction gives the track a new intensity, almost cathartic, perfectly matching the lyrics. “In my head it’s a storm but I do what I want, it’s fine, noted,” she sings, owning her contradictions, her inner tempests, and above all her determination to carve her own path.

👑 A Declaration of Artistic Power

With this single, Marguerite proves she is no longer just the pop revelation of Grandir, but an artist who asserts herself, who dares, who claims her space. La Boss is more than a title: it’s a declaration. A reminder that anyone can take back the reins, rewrite the rules, and affirm their own vision. For Marguerite, the message is unmistakable: we’re all bosses.

#BossEnergy 🔥 #WomenWhoLead 👑 #OwnYourPower ⚡ #WorkplaceRevolt 💼 #FeministAnthem 🎤