@kingaglyk Which Bruno Mars song you like the most ? Do you have your favorite? 🤔🤔🤔 #bruno #mars #bass #kinga #glyk ♬ original sound - Głyk Kinga

💫 “Tears In Heaven”: The Luminous Bass Line That Shaped Kinga Głyk’s Musical Path

Kinga Głyk’s interpretation of “Tears In Heaven” becomes the luminous thread running through the article—a piece that quietly brought light to her work. Before she emerged as one of Europe’s most magnetic young bassists, this performance circulated online like a whispered revelation, its tender minimalism and emotional clarity resonating far beyond jazz circles. Originally written by Eric Clapton and Will Jennings in the early 1990s as a response to profound personal loss, the song’s fragile melody and introspective harmonic progression have inspired countless interpretations, yet Głyk’s stands apart: her warm, rounded bass tone feels almost vocal, her phrasing spacious and meditative, her subtle slides and harmonics giving the melody a floating, human quality. Rather than dramatizing grief, she transforms it into quiet resilience, channeling vulnerability into light—an emotional transparency that mirrors the sincerity and elegance found in Rita Payés’ own musical language.

🎶 🎸 🎵 🎧 🌀 ✨ 🔄 🥁 🌐 💛 🌟 🎚️ 🎙️ 🔊 Kinga Głyk - Tears In Heaven

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🎸 “Music is not what you know. It’s what you live.” — Richard Bona

Few contemporary bass players embody Richard Bona’s philosophy as vividly as Kinga Głyk.

Her story is not one of conservatory corridors or academic rigor, but of instinct, family, groove, and a deep emotional relationship with sound. As she says in the interview, “I’ve never been in a music school. So nobody taught me to do that.” This article explores the five pillars of her artistic journey — from childhood intuition to global stages — through the lens of her own words and lived experience.

🔮 The Choice of Bass — A Calling, Not an Assignment

Kinga’s relationship with the bass began long before she understood the instrument technically. She recalls hearing its sound and feeling an immediate pull: “I decided or wanted to be a bass player before I knew any bass players… I just heard the sound of it and I really wanted to be able to be this person who is playing bass.” Her father, a vibraphonist and drummer, brought home a small bass when she was 11, opening the door to a lifelong path shaped by curiosity rather than instruction.

👨‍👩‍👧 A Family Band and the Fast‑Track to the Stage

Her musical upbringing was not theoretical — it was lived. By age 12, she was already performing in Polish clubs with her family trio: “My brother was playing drums, I was playing bass, my dad was playing vibrophone… when I was 12 I started to perform in clubs in Poland.” This early immersion taught her groove, communication, and presence long before she could articulate what she was doing. It was a school of instinct, repetition, and emotional storytelling.

🔄 Self‑Teaching, Rediscovery, and the Return to Fundamentals

Despite her prodigious rise, Kinga openly shares the challenges of being self‑taught: “I never understood what I do… I’m going back to the beginning honestly with my bass and learning it from the very student way.” Teaching others has sharpened her understanding, and ear‑training became a personal discipline: “I do competition with myself… checking if I can be faster.” Her journey shows that mastery is not linear — it loops, deepens, and renews itself.

🥁 Funk, Feel, and the Art of Precision

Kinga’s groove is unmistakable — a blend of softness, punch, and emotional clarity. She cites Larry Graham and Marcus Miller as inspirations, but her approach is deeply personal: “The more I can care about every note, the happier listener will be.” She explores tone by shifting hand positions, embraces simplicity as a creative engine, and treats rhythm as sacred: “On stage it’s my priority to keep it tight… it really matters for me.” Her funk is not flashy — it’s intentional, articulate, and deeply felt.

🌐The Modern Musician — Creativity, Social Media, and Global Connection

Kinga navigates the digital world with honesty: “It’s time‑consuming… you lose people when you’re not there.” Yet she uses social platforms not as a gimmick, but as a stage for authenticity — mixing covers, collaborations, and her own compositions. She also acknowledges the realities of touring life: “There was a period when I was doing it alone… it’s so much work.” Her career is a blend of artistry and self‑management, intuition and strategy, tradition and modernity.

#BassJourney 🎸 #FunkPrecision 🔥 #ModernMusician 🌐 #GrooveStories 🎶 #GlobalCreativity 🌍